Coloursound

Informações:

Sinopsis

www.coloursound.orgwww.facebook.com/coloursoundfestivalwww.twitter.com/coloursoundfest________________________________________________________________________Tired of the same-old same-old in the North of England when it comes to nocturnal gatherings? Well we were, so we started Coloursound. Its big and bold, is already teamed up with big-wigs like Cadenza and We Love and all kicks off in September. With a fine mixture of the big names you love and the ruder underground talents of tomorrow from the worlds of house, techno, drum and bass, disco, electro and live music, each party will offer a minimum four or five top names for your listening pleasure. Throughout the first season, whether you like 90s rave style warehouses, cosier basement vibes or something in between, Coloursound has it covered.The clever concept of the night is to host a number of parties in venues like The Warehouse, Soundcontrol, Wire, Nation of Shopkeepers, Joshua Brooks as well as bespoke places like tunnels, warehouses and other spaces around the north of England, with event capacities ranging from cosy at 200 to vast at 2000. The season will end with a huge 4, 000 capacity four room event at Stylus in Leeds in December.The idea surfaced a year ago, with the last few months seeing the final touches being put to plans for the end of 2011. A programme of 7-10 events is in place between Oct and Dec of this year, with a second season for January to April 2012 (already all but signed and sealed) before expanding to 15 events in season 3. DJs appearing will include the likes of Trentemoller, DJ Fresh, Kenny Dope, Kevin Saunderson, Lee Foss, Heidi, Mayaan Nidaam, Maceo Plex, Stacy Pullen, Round Table Knights, A Guy Called Gerald, Tom Trago, Levon Vincent, Tiefschwarz and Reboot and many more.

Episodios

  • Retro/Grade | 006 Podcast

    26/10/2011 Duración: 59min

    Serge Santiago and Tom Neville first worked together on a re-edit of Kano’s ‘It’s A War’ in 2004, which received stand-up attention in all the right places. This random hook-up led to the idea for an album project, with the intention to create a modern day take on Italo Disco…

  • Reboot | 005 Podcast

    10/10/2011 Duración: 01h13min

    Germany’s Frank Heinrich aka Reboot is known to lay down tracks that are so visceral they’re positively orgasmic. His approach to performance and production is based around what he calls ‘complex polyrhythmic architecture’ – not forgetting a musical heritage that spans house, techno, world music and jazz. With proven releases on such labels as Below, Cadenza and Cocoon, an explosive live show and a DJ career that’s more versatile than many imagine, Reboot has earned every inch of his reputation as a speaker-freaker. In fact, he now spearheads what others are calling the new sound of Frankfurt, alongside friends like Chris Tietjen, Robert Dietz and Markus Fix. Aachen-born Frank moved to the Frankfurt-Offenbach area when he was just six years old. Here, he received a classical music education and picked up a range of instruments. These ranged from the melodica and accordion to organs and keyboards. However, a lifelong love affair with electronic music commenced and flourished after he first made contact throu

  • Huxley | 004 Podcast

    23/09/2011 Duración: 55min

    Huxley, born Michael Dodman, is a name you're sure to continue to hear more and more off after firmly cementing his place in the UK house scene this past two years. Raised on a diet of UK & US Garage, House and early rave music- Huxley has moulded his music into what is his can be called his own distinctive mark on house music. First appearing on the scene with sometime collaborator, Ethyl, on their critically acclaimed 2009, Sassanids EP on Nick Curly's “Cecille Numbers”- as a duo they went on to release the 'Beatport Deep House 2010' nominated, Mother Tongue, on UK superpower- Tsuba. It was this that really put the duo on the map. Since this time Huxley has gone on to carve out his own solo career with releases on Tsuba, Morris Audio, Fear Of Flying and Suara, and remixes on labels such as Noir, Cecille, OFF. 2011 has seen dates at illustrious venues such as Fabric, Privilage & Le Batofar as well as dates in Ibiza, Italy, Germany of course throughout the UK. With forthcoming music on Hypercolour,

  • Round Table Knights | 003 Podcast

    12/09/2011 Duración: 01h05min

    In a land that has no ego and a table that has no head, Round Table Knights are constantly pushing their talents as DJs and Producers to the limits and evolving with the output. Hailing from Bern, Switzerland Round Table Knights were originally a four man scratch DJ collective with a penchant for hip-hop, rock, electro and jazz. “We fell in love with House Music because it’s a very wide and open kind of music, you can put whatever influences in there. If you do it with your own style and with taste it’s a very good thing" Following a stellar EP on Deadfish, 2010 saw their first EP for Made to Play get signed on the spot by Jesse Rose and go on to become one of the catchiest outputs to date, with support from everyone from Luciano to Annie Mac in her Glastonbury set. The resulting avalanche of productivity and popularity snowballed further with ‘Cut To The Top’ featuring the legendary Swiss garage-rock legend Reverend Beat-Man on vocals and combining elements of garage, blues and of course their irrefutable

  • Stacey Pullen | 002 Podcast

    30/08/2011 Duración: 01h01min

    Stacey Pullen is an innovator from the second wave of Detroit techno; he grew up under the mentorship of Detroit's legendary three: Derrick May, Juan Atkins and Kevin Saunderson. Still continuing to produce his characteristic atmosphere laden electronic sound, Stacey Pullen compounds his reputation as a producer with that of being one of the world's most in demand DJs. Above all, from his earliest attempts to the current day Stacey Pullen has stayed true to his one goal: to become and to always be an Innovator. In the early days, through legenday Detroit club “The Music Institute”, Stacey quickly got to know the leading lights of Detroit's underground: Alton Miller, Chez Damier, Derrick May, and Jay Denham who influenced and taught him strongly. A couple of years later, in 1992, Derrick suggested that a good way to develop his skills would be for Stacey to do some remix work with Kevin Saunderson. Stacey began to work on remixes including one for Karen White ‐'The Way I Feel About You', for Prodigy and KMS