Music Makers And Soul Shakers Podcast With Steve Dawson

If you haven't already, please listen to Episode 1 of this interview to get the whole story! Kevin Breit is a humble Canadian treasure. And a hell of a unique guitar player. And a nice feller. I’ve known Kevin for about 20 years at this point, although I haven’t seen him much over the last 10, sadly. When I first got to know him, he was at the tail end of a run in Norah Jones’ live band, and had played on most of her recordings as well. He was bowing out of that gig to be able to spend some more time with his young family, but was already a seasoned vet in the studio, having played on records for folks like Rosanne Cash, k.d. Lang, Hugh Laurie, Cassandra Wilson, Holly Cole, Jane Siberry, Serena Ryder, Taj Mahal, Irma Thomas and countless others. As impressive as that list is, it was his quirkier solo records that I found most interesting. His guitar playing had a big influence on me, particularly his unusual voic eon slide guitar. His string of under-the-radar albums that he seemed to be churning out almost