Kyle Meredith With...

Two of the most influential hitmakers of the last half-century sit down with Kyle Meredith for a wide-ranging conversation about what it means to write songs that outlive their moment. Desmond Child talks about finally stepping center stage with his first live release, Desmond Child Live, revisiting decades of world-dominating songs, and how writing his autobiography, Livin On A Prayer: Big Songs Big Life, pushed him to reflect on legacy, mentorship, and the emotional weight songs like “Livin’ on a Prayer” still carry. Alongside him, David Foster digs into his own retrospective project, breaking down the theatrical instincts behind his biggest productions, the famous studio moments with Whitney Houston and Celine Dion, and how he’s shifted his creative focus toward Broadway and long-form storytelling, including the Betty Boop musical. Together, the two songwriters reflect on adapting to changing eras, choosing when to step back from chasing radio, and why the stories behind the songs may ultimately matter as

Maynard James Keenan digs into the fifth Puscifer album Normal Isn't, unpacking how the record functions as a kind of cultural status report—part political frustration, part tech anxiety, part dark humor. Keenan explains why the band feels like it’s finally being “discovered” years after the fact, how this album leans harder and hits sharper than its predecessors, and why observation—not preaching—is the real job here. The conversation also gets into the creation of the new character Bellendia Black, the expanding world of videos and graphic novels, the uneasy usefulness of AI, and why being the underdog still matters. Along the way, there’s talk of Bowie, language as satire, and why Normal Isn’t feels less like rebellion for rebellion’s sake and more like an inevitable reckoning.Listen to Maynard James Keenan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following t

Film producer Gill Holland joins Kyle Meredith to trace his nearly 30-year career that adds up to around 150 films, from early Sundance breakthroughs like Hurricane Streets to documentaries such as Flow: For Love Of Water and the beloved Big Star doc, plus cult favorites like Greg The Bunny. Holland digs into what a producer actually does, why rejection is basically part of the job description, how the ’90s indie boom cracked Hollywood open, and why that spirit might be poised for a comeback in the age of streaming and AI. Along the way, he explains why Louisville became home, how Kentucky keeps finding its way into his work, and what’s next, including new projects with Sarah Silverman and Bonnie “Prince” Billy.Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith sits down with Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie to unpack how Shrinking season 3 on Apple TV might be the show’s richest chapter yet. The cast talks about how the series keeps deepening its characters without losing the jokes, from Gabby’s emotionally loaded monologues and Brian realizing he doesn’t have life figured out, to Derek finally stepping out from behind the zen-smile and Liz living at full-throttle anxiety year-round. Miller dives into the show’s carefully chosen needle drops and long-gestating music moments, Urie breaks down that unforgettable Les Misérables singalong watched silently by Harrison Ford, McGinley reflects on playing Derek as an “iceberg,” and Williams explains how she ramps up for scenes that hit hard right out of the gate.Listen to Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie chat about all this and more or watch the videos on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your po

Talking with Kyle Meredith, Petula Clark and Don McLean both reflect on what it means to keep creating decades into a career, each from their own corner of the musical universe. Clark walks through the making of Living For Today, from recording in a tiny garden studio in London to shaping the title track’s light-to-serious turn, reconnecting with Tony Hatch, and navigating the nerves (and respect) that come with reinterpreting classics—from Peggy Lee’s “Fever” to the Beatles’ “Blackbird”—while embracing songs like “Downtown” as lifelong companions rather than burdens. McLean, meanwhile, digs into the long road behind Botanical Gardens, rejecting the idea that he lives solely in the shadow of “American Pie” or “Vincent,” and instead framing the album as a mix of styles, metaphors, and ideas that took years—sometimes decades—to finally surface. From songwriting as a visual, almost cinematic act to letting songs wait until they’re ready, both artists land on the same truth: the work doesn’t give up on you, it ju

Platinum-selling singer Carnie Wilson of Wilson Phillips sits down with Kyle Meredith ahead of her 2026 She Rocks Awards honor to talk about the full arc of her career — from the monster success of Wilson Phillips and the harmonies that defined a generation to the overlooked gems like Shadows And Light and the criminally underrated The Wilsons, which reunited her with her father Brian Wilson and let the band rock harder than anyone expected. Wilson opens up about mental health advocacy, sobriety, grief, OCD, motherhood, and why being honest has always mattered more than being polished. There’s also plenty of love for studio life, unreleased vault material, Christmas records, and the idea that history might finally catch up with the albums that slipped through the cracks the first time.Listen to Carnie Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Con

In a pair of conversations tied together by one very uneasy stash house, Kyle Meredith talks with Catalina Sandino Moreno and Sasha Calle about Netflix’s The Rip, a crime thriller that’s less about shootouts than the slow psychological squeeze of not knowing who to trust. Moreno reflects on returning to morally complex material after Maria Full of Grace, what it’s like sharing scenes with Ben Affleck and Matt Damon, and why this run of action-heavy roles marks a surprisingly fun new chapter in her career. Calle digs into playing Desi, the film’s human wildcard, balancing stillness with intensity, delivering a pivotal monologue, and how her soap-opera background prepared her for pressure-cooker moments. Along the way, both talk about Joe Carnahan’s high-energy set, the film’s ensemble chemistry, and why The Rip works best when it slows down and lets the paranoia breathe.Listen to Catalina Sandino Moreno and Sasha Calle chat about all this and more or watch both interviews on YouTube. Please take the time to li

Steven Knight and Malachi Kirby dig into the darker second chapter of A Thousand Blows, where the optimism of the first season has been beaten down by reality in 1880s East End London. Knight talks about shooting both seasons back-to-back, building an immersive, walkable version of Victorian London, and grounding the story in real history without sanding off its chaos, while Kirby breaks down Hezekiah’s transformation from hopeful newcomer to a man fueled by pain, rage, and survival instinct. They get into how that massive physical and emotional shift shaped the performances, the toll of a year-long boxing regimen, and why the show’s bleakness is still rooted in resilience and forward motion. It’s a conversation about destiny versus choice, history crashing into personal lives, and how A Thousand Blows uses real people and real places to tell a story that keeps finding new ways to hit harder.Listen to Steven Knight and Malachi Kirby chat about all this and more or watch it on YouTube. Please take the time to 

Neko Case is back with Neon Grey Midnight Green, her first new album in years, and she’s catching up with Kyle Meredith to talk about why this record feels like a celebration of music itself — the people who make it, the people who listen, and the strange, communal magic that happens when everyone meets in the same room. Case digs into how the album stands apart from her recent autobiography, why trusting herself as a producer matters more than ever, and how recording with real musicians shaped the sound. Along the way, the conversation wanders into dream logic, songwriting perspectives, live performance energy, Indigenous ways of thinking, and her lifelong love of spiders — and how paying attention to the small, overlooked things might just make us better listeners, better humans, and maybe even better roommates to the creatures in our basements.Listen to Neko Case chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, a

Taped back in 2012, as Aimee Mann, Joe Henry, and Over the Rhine’s Karin Bergquist were deep in Louisville filming what would become Pleased to Meet Me, the indie music-film directed by Archie Borders and released in 2013. Talking with Kyle Meredith, the trio breaks down the strange thrill of musicians stepping into acting roles, how the movie’s story about forced collaboration mirrored their real-life creative chaos, and why chasing fame had already lost its appeal. Along the way, they got candid about the fear of embarrassing themselves, the freedom that came after the music industry’s collapse, and why discovery — not commercial validation — is the only thing worth showing up for.Listen to Aimee Mann, Joe Henry & Karin Bergquist chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://www.

Walker Scobell sits down with Kyle Meredith to talk about jumping back into the role that changed everything as Percy Jackson and the Olympians heads into its bigger, more physical second season on Disney+, opening up about how stepping away between seasons actually made him a better actor, why Season 2 demanded more stunt work and endurance, and how growing up in real time messes with audience perception on a long-gestating effects-heavy show. Along the way he reflects on working opposite Michael Douglas in Looking Through Water, learning on the fly fight choreography scenes that took weeks to shoot only to end up on the cutting room floor, and why improvisation can suddenly become canon. Plus, he teases Season 3 moments with Kate McKinnon that nearly broke him on set, talks about sharing scenes with comedy heavyweights, and explains why sometimes the best prep is just going back to school and being a normal kid for a while.Listen to Walker Scobell chat about all this and more or watch it on YouTube. Please

Filmmaker Morgan Neville sits down with Kyle Meredith to unpack his Netflix documentary Breakdown 1975, a deep dive into a year when America seemed to collectively lose its footing and still made some of its greatest movies in the process. Neville explains why you can’t tell the story of 1975 without the years around it, how post-Watergate anxiety, cultural whiplash, and political exhaustion bled directly into films like Chinatown, Dog Day Afternoon, Taxi Driver, Jaws, and Star Wars, and why that moment eerily mirrors where we find ourselves 50 years later. The conversation also touches on New Hollywood’s last great gasp, the rise of Reagan-era thinking before Reagan ever took office, how movies functioned as a national therapy session, and why the shared theatrical experience itself now feels endangered.Listen to Morgan Neville chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series

In this special holiday-themed conversation, Emmylou Harris and Lorrie Morgan sit down with Kyle Meredith to talk Christmas music, lifelong friendships, and the long arcs of their careers. Harris reflects on her quietly beloved album Light of the Stable, singing alongside Dolly Parton, and why songs like “Coat of Many Colors” carry the spirit of Christmas even without the tinsel. She also opens up about her deep commitment to animal rescue through Bonaparte’s Retreat and the push toward no-kill shelters, plus an upcoming expanded reissue of The Ballad of Sally Rose and work on her memoir. Morgan shares stories from Nashville Christmas specials, explains her connection to modern classics like “Grown-Up Christmas List,” and talks about teaming up with Pam Tillis on their album Come See Me and Come Lonely, built from deep-cut country favorites and a friendship that grew later in life.Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series

Aiyana-Lee sits down with Kyle Meredith to talk about a truly surreal 2025 — from grinding it out as an independent artist to getting a life-changing DM from Spike Lee that led to her starring role in Highest 2 Lowest. She opens up about how Lee discovered her music, writing and performing the film’s title track and end-credit song, and what it was like working alongside Denzel Washington. The conversation also digs into her songwriting roots, growing up around legendary music history, surviving rough label experiences, reclaiming her voice on singles like “City of Lies,” and figuring out where music and acting go next now that the spotlight’s officially on.Listen to Aiyana-Lee chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Director Paul Feig talks with Kyle Meredith about adapting The Housemaid from Freda McFadden’s bestseller, shaping its sly tonal shift from “fun unsettling” to full-on psychological thriller, and why he ultimately added entire pieces to the story that aren’t in the book. Feig digs into the dual-POV structure, explains his aversion to lazy voiceover, and breaks down how the film balances an hour of questions with an hour of answers. He also gets into building nuanced female-led stories (from Bridesmaids to Ghostbusters to A Simple Favor), collaborating with a wildly good-looking cast, and letting actors define their characters through wardrobe and posture. And Kyle gets him talking about a perfectly framed martini shot and the hidden gin bottles that have become Feig trademarks.Listen to Paul Feig chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Pod

Zende Murdoch of The Runarounds jumps on with Kyle Meredith to dig into how a “fake” TV band on The Runarounds (now streaming on Prime Video) turned into a very real, very busy rock band. He talks about answering that mysterious Instagram casting call tied to Outer Banks, the long secret stretch of years where the group was quietly writing, finding their sound, and cutting an EP with Jerry Harrison of Talking Heads before anyone even knew the show existed. Zende gets into the proggy drum flex of “Funny How the Universe Works,” what it was like building the season one soundtrack in a sort of songwriting boot camp, and how the crew splits writing between songs for the characters and songs for the actual band. He also takes us into the new single “Chasing the Good Times,” born in a Nashville session with Brad Schultz of Cage The Elephant, the surreal rush of watching sold-out dates roll in, and why, TV renewal or not, The Runarounds are now a full-on touring band with plenty more music on the way.Listen to Zende

D’Arcy Carden talks with Kyle Meredith about dropping into the latest season of Loot on Apple TV+ as Adam Scott’s extremely extra “Italian” girlfriend Lutiana/Ashley-Kate, and how much of that bananas character (and those Italian/Delaware accents) came from the page vs. her own improv. We get into working with director Carrie Brownstein of Sleater-Kinney, shooting in Australia with Will Forte, and how she balances all of this with her other work in The Good Place, A League Of Their Own, and Barry. Darcy also digs into her very real music-nerd side — birthday shows at Largo with the Crutchfield sisters’ Snocaps and Waxahatchee band, surprise moments with Lenny Kravitz, Jeff Tweedy, Courtney Barnett, Aidy Bryant, and more — before we wrap it up with who she wants to see in the Rock Hall next.Listen to Lou Gramm chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the C

Juliana Hatfield stops by to talk with Kyle Meredith about her 20th album, Lightning Might Strike, a pop-rock gem born from a rough couple of years that included loss, depression, and uprooting her longtime city life for a house in the woods. She digs into writing through a “long, slow, nervous breakdown,” finding narrative threads in songs like “Falls Apart,” the unexpected heaviness behind “Popsicle,” and how working alone at home slowed the process but sharpened the focus. Hatfield also reflects on her early days with the Blake Babies, why some of that catalog is hard to revisit, her recurring lyric motifs, and the possibility of returning to her acclaimed cover-album series—this time with a full R.E.M. tribute.Listen to Juliana Hatfield chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com

Kyle Meredith talks with Lou Gramm — the original voice of Foreigner — about returning to the stage for select 50th-anniversary shows and revisiting the unheard cuts tied to the 40th anniversary of Foreigner 4. Lou digs into finishing those long-lost vault tracks, matching his classic vocal grit decades later, and the surprising emotional spark that came from hearing those old tapes again. He also gets into sobriety, balance, and how touring culture has shifted since the early days. Plus, he tells Kyle about his first new solo album in years — arriving in March — blending newly written material with songs he started decades ago.Listen to Lou Gramm chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith dives into the world of Fraggle Rock with both the eternal explorer and the man who brings him to life. First up, Gobo Fraggle stops by to talk about the new holiday special "The First Snow of Fraggle Rock," breaking down his very first real snowfall, the panic of hitting “rock block,” and the unexpected outer-space songwriting session with Lele Pons that helped him find the season’s big song. Gobo also chats about his musical heroes, holiday traditions shared between Fraggles and silly creatures, and what it’s like braving the bright, noisy surface world. Then Kyle talks with John Tartaglia — showrunner, puppeteer, and the voice behind Gobo — about taking on a character with decades of mythology, pulling inspiration from classic specials like "The Bells of Fraggle Rock," and weaving in new characters and subtle callbacks for longtime fans. John gets into the surreal moment of meeting Gobo on camera, the influence of original performer Jerry Nelson, and why Gobo’s stubborn optimi